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January 19, 2024

Q&A: Piping, Seam Allowances, PomPoms

How do I?

Sewers can frequently say these three simple words to other sewers, and it’s often at an ASG meeting, get together, or workshop. Most times the answer is simple and readily shared by perhaps a more experienced sewer. We’ve received some of those questions, and we’ve got some answers.


HOW DO I…make piping so that the stitching doesn’t show when I insert it?

Making piping

The easiest way to solve this dilemma is to not stitch it when you’re covering it! Measure the circumference of your piping filler cord and add 1 ¼” for seam allowances. Cut your piping covering fabric to that width by the amount of length needed, plus an extra inch or two. This fabric can be cut on the straight grain or bias, depending on where the piping will go and the desired finished look. If it goes around any curves, cut the covering fabric on the bias.

Cut a strip of fusible web the same size as the covering fabric, noting that it may be necessary to abut the ends to get the length needed.

Place the fusible web on the wrong side of the fabric strip and wrap it around the filler cord. Using the tip of your iron, press the long raw edges of the piping covering together, snugging the fabric up to the cord. During insertion, use your zipper foot and adjust the needle position so it’s as close to the cord as possible for perfect piping.


HOW DO I…finish the seam allowances of an unlined jacket made from a ravelly fabric like silk suiting?

Hong Kong finish

One of the easiest and nicest looking methods of taming a ravelly suiting is called a Hong Kong finish. It’s easy to do and makes the inside of your jacket look stunning.

Begin by choosing a binding fabric—it can be a color match to your garment, or a stark contrast if you prefer; it can be solid or print, depending on how much pizazz you want on the inside. Lining fabric works well for this technique as it’s lightweight, but you can also use lightweight cotton.

Cut bias binding strips 1” wide (1 ¼”-1 ½” for bulky garment fabrics). This allows you to bind both straight and curved seams without puckers. Piece the strips together with diagonal seams to get the length needed and press those joining seams open.

Press the seam allowances of the jacket open (except armholes). On armholes, press the seam allowances in one direction and bind the two edges together. Pin the binding to a single layer of the seam allowance, matching the raw edges. Sew with a ¼” seam allowance being careful not to stretch the binding. Press the binding away from the seam, and fold it snugly over the seam allowance edge, then pin in place. Stitch in the ditch of the seam to secure the binding underside. Press, then trim off any excess binding width on the wrong side, leaving about 1/8” beyond the stitching.

Quick Tip: For even faster binding, use fusible thread in the bobbin for the initial stitching line, then fold the binding strip over the seam allowance edge and press to hold it in place.

This technique can also be used on facing, pocket and hem edges for a beautiful inside finish. And it can be used on reversible garments as well—instead of stitching in the ditch of just the single-layer seam allowance, stitch through the entire garment to flatten the seam. One side will show topstitching and the other side will show the finished seam allowances.

Learn more about the Hong Kong seam finish in the article, “Tailoring Tricks Part 3: Hong Kong Seam Finish”


HOW DO I…make a pompom for a fleece hat?

Pompoms

Fleece makes great pompoms because it doesn’t fray, so all you have to do is cut. Decide on the finished size of your pompom and cut 30 fleece strips ¼” wide by the length you determined. Cut an extra ¼” strip about 8” long. So, for a 4” pompom, you’ll need thirty 4” x ¼” strips and one ¼” x 8” strip.

Stack up the like-size strips directly on top of each other and use the longer strip to tightly tie the center of the stack together; knot securely. Fluff up the pompom and use the longer strip end to attach the pom to the hat—either in the seam as you’re constructing it or threaded into a tapestry needle and attached after construction.

If desired, clip the ends of the pompom strands at an angle.


~Linda Griepentrog is the owner of G Wiz Creative Services and she does writing, editing and designing for companies in the sewing, crafting and quilting industries. In addition, she escorts fabric shopping tours to Hong Kong. She lives at the Oregon Coast with her husband Keith, and three dogs, Yohnuh, Abby, and Lizzie. Contact her at .

Tagged With: hong kong finish, piping, pompoms, tips

January 12, 2024

Jacket Tailoring: The Chest Shield

Tailored women's jacketThere are some techniques used in tailoring that are rarely found in the pattern instructions. One of those is a chest piece, or chest shield.

The chest shield is a layer — or, sometimes, multiple layers — that provide stability, body, and reinforcement to the upper front of a jacket. Every woman, even if large-busted, has a little crease or hollow next to the armhole in the chest area that can cause vertical wrinkles or folds in the upper chest of a jacket or coat. To remedy this, we put in a chest shield. The shield enhances the overall fit and appearance, and gives structure, support, and shape to the chest area. It also contributes to a more flattering and tailored look, creating a smooth and well-defined silhouette.

Although chest shields are common in men’s jackets and couture tailored garments, they are rarely seen in women’s ready-to-wear. Chest shields can be made from quality canvas, silk organza, batting, muslin, Pellon Fleece, or Thermolam. If more structure is needed, they can be multi-layered and any combination of the above.

TIP: Do not use fusible fleece as this is a high stress area on the garment and it will not stay fused.

The chest shield is cut according to the jacket pattern to assure it matches the shape and size of the front panels but can be customized to your own body shape and preferences to ensure a personalized fit.

Use your jacket or coat front to make a pattern by drawing a curved line from about two-thirds down the armhole up to the shoulder. Do not go into the roll line (Figure 1). Cut a chest piece for each front.
Figure 1

After you have applied interfacing to the jacket fronts, pin the chest pieces along the shoulder and armhole seams and baste them in place. Fold the curved edge back about 1/2″ and tack the chest piece to the jacket with a very loose running stitch, checking to be sure it does not show on the right side of the garment (Figure 2).

Figure 2

Sew the chest piece right into the shoulder and armhole seams during construction and trim the excess seam allowance from the chest pieces to reduce bulk. If your garment will be lined, the chest piece will go between the outer fabric and the inner lining.

Press the chest area over a ham and allow the garment to cool and dry in that position. The ham simulates the curves of the body and will help to shape the garment to your figure.


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January 5, 2024

I’ve Been Framed!

Two hand-made bagsAs sewing enthusiasts, most of us make a lot of bags in our lifetime—from totes to backpacks and beyond. Most may be soft or lightly structured, but few are actually shaped by frames. So, let’s take a look at some accent frames and how to use them.

Types of Frames

Frames provide the external structure for a bag and allow it to support the weight of its contents. Some provide for shoulder strapping and others simply frame a clutch.

Available in many shapes and sizes kiss-lock frames get their name from the interlocking knobs or other shapes that provide the closure for the bag. These frames come in plastic, wood or metal and they can be curved, squared or otherwise shaped at the upper edge.

Frames come in many sizes, from tiny coin-purse versions to larger luggage-style options.

There are simple metal frames, shiny or matte, or they can be more elaborate with filagree work or bedecked with jewels. Some frames have small loops to attach straps or chains, others have hinged loops that fit down into the bag so it can also be used as a clutch. Some metal frames have novelty shaped handles built in for closure in lieu of kiss locking closures.

Bejeweled purse frame with fold-down chain holders from Amazon.

 

When shopping from any of our Amazon links, we may earn a small commission — at no additional cost to you — if you make a purchase.

All purse frames have a channel between the outer and inner frame portions. This is where the top edge of the finished bag body slides in and is secured.

Attachment Styles

Sew-on frames are perhaps the most common type of frame and they come with small holes along the channel opening for hand stitching the bag to the frame. You can attach the bag body using a running stitch, backstitch or a decorative hand embroidery stitch, and you can even add beads to help hide the stitches if you prefer.

Sew-on purse frame from Amazon.

Screw-on frames attach the bag body with tiny screws on the frame inside, invisible from the outside. The bag body simply slides into the channels and is held in place when the screws are tightened. Glue can be added for additional hold prior to insertion.

Screw-on wooden frame available on Amazon.

Glue-on frames rely totally on adhesive to hold the bag body in place. Depending on the fabric your bag is made of, the channel may be wider than the fabric thicknesses, so you can insert a small cord to fill the gap. Be sure to follow the manufacturer’s instructions for type of glue and application, as errant glue can damage a frame. With this type of frame, it’s important to be sure both sides of the upper bag edges are glued securely to both the frame front and back for maximum strength.

Glue-on frame available on Amazon.

Crimp-on frames must be clamped once the bag body upper edges are positioned, as that’s what holds the fabric in place. Purse crimpers or flat-jaw pliers are required for a secure squeeze and some kind of protection is needed between the tool and the metal frame to avoid damage—a fleece scrap works fine to avoid scratches. Some frames have inside teeth for better gripping, and other manufacturers recommend adding glue before crimping.

How to Attach Frames

2 bagsMost purse frames come with a pattern for the bag body, so follow the manufacturer’s instructions to make the bag body. This process will create a finished upper edge, ready to mount to the frame.

  1. First, find the center of the frame and the bag body upper edge. Mark it with tape or a thread.
  2. Detail view of sew-on frame
    Detail view of sew-on frame.

    Open the frame hinges as far as possible to expose the channel where the bag upper edge will go. For most frames, you’ll want to run a very thin line of glue in the channel. Begin inserting the bag body matching the center points. Use a small screwdriver, stiletto or skewer to push the upper edge all the way into the channel. Continue from the center outward in the same manner until you reach the hinge area of the frame and clamp in place, protecting the metal frame with fabric scraps. Repeat for the second half of the same side. For some bags, the frame is shorter than the bag edge, so push in a few gathers evenly spaced. If the channel seems to have extra room, add in a string or tiny cord to fill the gap and glue in place.

  3. Wait for the first half of the bag frame to dry completely, then repeat the process for the second half.
  4. If you’re working with a clamp-on or screw-on frame, continue with that process. For a sew-on version, stitch through the frame holes.

~Linda Griepentrog is the owner of G Wiz Creative Services and she does writing, editing and designing for companies in the sewing, crafting and quilting industries. In addition, she escorts fabric shopping tours to Hong Kong. She lives at the Oregon Coast with her husband Keith, and three dogs, Yohnuh, Abby, and Lizzie. Contact her at .

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December 15, 2023

Chapter Inspiration: Atlanta, Start with Art

Have you ever found yourself captivated by a piece of art and wondered how you could take pieces of what it made you see or feel into other areas of your life… maybe your sewing life? That was the foundation for the American Sewing Guild’s Atlanta chapter’s Start with Art annual President’s challenge this year.

In January, they put 6 famous paintings out to the membership for a vote to choose which would be the basis for the challenge. The winner was Gustav Klimt’s Portrait of Adele Bloch Bauer aka Woman in Gold painting. The rules were simple: make anything you like using any aspect of the painting as your inspiration. Entries could be a garment, a bag, a quilt … anything! And inspiration could be from the colors, shapes, emotion, history, or whatever ignited the creative spark.

Portrait of Adele Bloch Bauer, aka Woman in Gold
Gustav Klimt, Portrait of Adele Bloch Bauer aka Woman in Gold,
Public domain, via Wikimedia Commons

Simultaneously, they began to explore building collaborative relationships with local universities that had a fashion or textile design degree program. They discovered that the Director of the Textile Design program at Kennesaw State University (KSU) was very interested in building a relationship with us and loved the Start with Art challenge idea. A collaboration was born!

The students in the program were assigned to join in the challenge as a graded project. Chapter members stepped into the classroom for 2-1/2 weeks to work alongside the students as they designed and created their projects. The members were delightful to have the opportunity to assist and guide them with all sorts of design and construction steps. One student in particular was thrilled to be guided by a member on how to make the corner of her purse turn out squared! It was rewarding to share so many tips and techniques that members knew after years of sewing experience that were able to help those emerging sewists on what is hoped to be a lifelong sewing journey.

Finally, the big reveal day arrived. Ten ASG members had entered the challenge, and the KSU teachers had curated 8 students to be presented at the chapter’s annual meeting.  It was so exciting to see each one and hear the story of the direction each individual’s inspiration had taken them—some were inspired by the history, some the name, some the shapes, and some reflected Klimt’s style overall. Members were equally inspired by each other as they were by the students. Everyone involved poured heart and soul into their work and it definitely showed.

At the end of the meeting, all of the ASG member entries went to KSU to be combined in a joint 2-week exhibit with 12 of the student’s creations. The pictures in this article were taken during the opening reception of the exhibit.

The chapter reports that the Start with Art challenge was almost a year in the making, but was definitely worth the time. Not only were creative boundaries stretched,  they forged what will hopefully be an ongoing relationship with younger budding sewists in the KSU Textile Design degree program.


~Shared by Sheryl Belson, ASG Atlanta 2023 Chapter President

December 8, 2023

Quick Gifts

It never fails that the closer we get to the holidays, there’s more to do, and time can get crunched. But if you need quick gifts for friends or family, your sewing skills can come in handy to save the day. The two items detailed in today’s ASG blog post are great for almost anyone on your gift list… and you can whip them up in a short time, likely from what you have in your stash or with a quick trip to the fabric store.

Bracelet Trio

Quick Gifts - bracelets

Make them match, make them different; give one, two or three—the choice is yours.

What you Need

Bracelet blanks on Amazon.

  • Your local craft store (or online resource) will likely have wooden bracelet blanks. They come in varying widths and with rounded or flat surfaces, depending on the desired look. Choose them singly or in sets.
  • Fabric glue
  • Fabric strips at least 1” wide
  • Matching or contrasting threads, regular or topstitching weight
  • Topstitching needle, if using heavier threads
  • Spring clips
  • Bias tape maker (1/2”) (optional)
    • Learn how to make your own bias tape
    • Watch a video on making bias tape

Preparation

  1. Cut the fabric strips 1” wide across the fabric width (42”-60”). Use different fabrics or all the same, depending on the number of bracelets you’re making and desired finished look.
  2. Bias tape maker
    Bias tape maker from Amazon.

    Press under the long raw edges of the fabric strips to create ½”-wide folded strips. Option: Use a bias-tape maker to make the folded strips, following the manufacturer’s instructions.

  3. Edgestitch the fabric strips using a slightly longer than normal stitch. Press the strips flat.

Assembly

  1. Place one short end of a fabric strip inside the bracelet and glue in place. Allow to dry.
  2. Wrap the strip tightly around the wooden bracelet and continue with successive wraps, overlapping the previous strip ever so slightly. The wooden bracelet should not be visible. Pull the strip snugly to avoid any gaps. Use spring clips to hold the wraps in place and add dots of glue randomly to secure the wrapping.
  3. Continue wrapping to cover the entire bracelet surface. If you run out of strip length, trim so that the end is on the inside of the bracelet and glue the strip end in place. Begin a new strip where the old one left off by initially gluing the end and clipping in place.
  4. Once the entire bracelet is covered, trim the end of the fabric strip so that it will be on the bracelet inside; glue and clip in place.

Bracelet Tips

Bracelet made with fringed trim

 

  • Use the decorative stitches on your sewing machine to embellish the fabric strips prior to folding.
  • For a more casual look, cut narrower strips and fringe the edges.
  • Wrap with pre-made flat trim for the quickest bracelet ever. Think metallic!

Covered Hangers

Perfect for guys or gals, these fun hangers add a bit of fun to anyone’s closet.

Covered hangers

What you Need

  • Plastic hangersWire or plastic hangers (if you don’t have any, try these from Amazon)
  • 1/4 yard fabric (for each)
  • Matching thread
  • Pattern tracing paper
  • Ribbon/trim (optional)
  • Fusible web (optional)

Preparation

  1. Trace around the hanger shape up to the neck hook. Add 3/8” for seam allowances on all the edges.
  2. Cut two pieces of fabric the shape of the pattern created in step 1.
  3. To embellish the hanger, stitch any ribbons or trims in place on the single-layer fabric as desired.

Assembly

  1. Place the hanger cover pieces right sides together and sew the side angles together, leaving open the neck hole.
  2. Turn the cover right side out and press the edges. On the neck and lower edges, press under the seam allowance to the wrong side.
  3. Carefully insert the hanger hook through the lower cover edge. Pin together the pressed-under lower edges and hand-stitch closed. When covering metal hangers, the lower edges can be fused together instead of stitched, but do not fuse the edges when using a plastic hanger as it may melt.
  4. To finish, tie a ribbon around the hanger neck and/or wrap the hook portion in ribbon to totally cover it. Hand-stitch (or glue) the ribbon ends in place after wrapping.

Hangers can be covered with bandannas or scarves instead of fabric off the bolt.


~Linda Griepentrog is the owner of G Wiz Creative Services and she does writing, editing and designing for companies in the sewing, crafting and quilting industries. In addition, she escorts fabric shopping tours to Hong Kong. She lives at the Oregon Coast with her husband Keith, and three dogs, Yohnuh, Abby, and Lizzie. Contact her at .

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