If you’ve got an embroidery machine, chances are good that you’ve played around with it for hours embellishing every towel, denim shirt and potholder in the house. But, maybe you haven’t tried making lace yet. Let’s take a look at the process. Note that we’re talking about freestanding lace with no fabric underneath it.

This is the kind of motif you might use for a collar, cuffs, pocket toppers, etc. or a whole host of dimensionally shaped items like ornaments, bookmarks, jewelry, etc. This type of lace can be open and airy looking, or it can be more dense with a crocheted look, but the key word you need to look for in choosing the design is “freestanding.” There are other lace designs that are digitized to be stitched onto base fabric, but freestanding lace supports itself without fabric underneath.
Under it all

Freestanding lace is sewn on a removable stabilizer and it needs to be heavy enough to support the complexity of the stitches without tearing during the process. A removable stabilizer is key to the stability of the finished design and to giving it an open, airy look.
Water-soluble stabilizer works well for this process—whether the clear film version or the type that looks more like non-woven interfacing. These types remove cleanly from the stitches. Tear-away versions tend to leave a raggedy edge, unbecoming of any lace project.
Before you settle on a stabilizer, be sure to test-stitch the design to test for the stitch quality and tension and make any adjustments before beginning the real stitch-out process.
The right stuff
Embroidery thread for lace making affects the finished look, so note the digitizer’s instructions when choosing. For a bit of sheen, rayon works well; for a matte finish, cotton is ideal. If you want a bit of sparkle, check out metallics.

Because the lace is openwork, match the bobbin thread to the top thread, at the very least in color, but it can be a lighter weight if you’re using a heavier top thread.
Even though traditional laces are usually white or off-white, when you create the lace yourself, you can make it any color you want. That’s the benefit of DIY.

A new small, sharp or embroidery needle is a must—look for size 75/11 if you’re using 40-weight thread.
Choose the smallest hoop that your lace motif will fit in. Because of the high stitch count, it’s imperative that there’s no slippage during stitching or the stitches will be misaligned. If there is any issue during your test-stitching, try taping the stabilizer into the hoop around the edges for a firmer hold.
Having small, sharp pointed scissors is helpful for trimming threads and any jump stitches. If they have curved blades, it’s even easier to get a close cut.
Stitching sagas
Hold the threads as your lace begins stitching, then stop and trim the ends so they don’t get caught up in the design. Because of the large number of stitches in freestanding lace designs, they take a long time to stitch out, so grab a cup of coffee for the show. You’ll see base stitches first, top stitches, and outline stitches play out. If the lace is a three-dimensional project, there may also be loops or buttonhole-like openings where sections are joined together.
At the end
Once the design is completely stitched out, trim around the motif about ½” outside the outline stitches. Follow the stabilizer manufacturer’s instructions for removal, paying attention to the water temperature and soaking duration guidelines. You may need to repeatedly soak and rinse to remove all the stabilizer.

If your project is dimensional, you may want to leave some stabilizer in the stitching to create a slight stiffness so the project stands up or hangs well. If you’re putting the lace on a garment or using it on a home décor project, rinse thoroughly for a softer feel.
Attachments
To attach freestanding lace to a garment, simply sew along the outline stitches either by hand or machine. If desired and considering the location, you can carefully trim away the garment fabric under the lace design for a see-through look.
~Linda Griepentrog is the owner of G Wiz Creative Services and she does writing, editing and designing for companies in the sewing, crafting and quilting industries. In addition, she escorts fabric shopping tours to Hong Kong. She lives at the Oregon Coast with her husband Keith, and three dogs, Yohnuh, Abby, and Lizzie. Contact her at gwizdesigns@aol.com.




























