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January 17, 2025

Sewing Q&A: Faux Leather, Bias Binding, & Pretreating Fabric

Q: I want to make a coat from faux leather and wondering how to make a buttonhole in this fabric.

A: Faux leathers come in a variety of styles and textures, but generally they have some kind of knit backing to stabilize the textured vinyl front surface. If yours does not, then use small dots of textile glue inside the seamline to place a sturdy interfacing behind the buttonhole area. If you don’t interface the area, the buttonhole will never return to its original size after use.

To sew a machine buttonhole in faux leather, check to see if your machine has a special buttonhole stitch for the fabric. The one shown in the photo is specific to leather-like fabrics. The stitch shown is actually sewn after the buttonhole opening is slashed so that the stitch goes over the raw edges. A sturdy bartack at each end prevents distortion.

Another type of buttonhole suited to faux leather has a straight stitch along each side of the hole location, and there’s a wider space between the stitched lines. Since faux leathers don’t ravel, the stitching just helps the buttonhole area keep its shape.

It’s a good idea not to use a traditional buttonhole on most faux leathers, as the close satin-stitched bars can perforate the fabric. So, be sure to test-stitch.

No matter what buttonhole type you choose, if the machine foot doesn’t feed evenly and sticks to the fabric surface, use a piece of water-soluble stabilizer under the foot for even feeding.

Image courtesy of Bernina

Q: I’m making an apron and the pattern calls for the binding to be cut on the bias. Since cutting on the bias takes more yardage, is it really necessary to cut it that way or can I just cut crosswise strips for the binding?

A: The answer depends on the apron itself—are parts of the bound area on a curve, like armholes or bib edges? If the answer is yes, then you will need to cut the binding on the bias so that it can shape to the curves, as straight-grain binding will not curve properly. If you try to shape straight-grain binding to a curve, you will get pull lines or puckers.

Many sewers like to cut their binding on the bias as a design feature. If the binding fabric is striped, cutting it on the bias creates a decorative diagonal patterning, as opposed to simply crosswise lines.

Note that you can piece bias binding in multiple places to use less fabric than cutting much longer strips at a 45° angle. If you match the patterning at the diagonal seam, no one will be the wiser and the seam will be almost invisible.


Q: What’s the best way to pre-treat fabric before I sew It?

A: The general rule for fabric you’re sewing, is to pre-treat it as it will be cared for once the garment or project is finished. The answer really depends on the type of fabric and what you plan to use it for.

If it’s 100% cotton fabric, there’s a chance for some shrinkage. If you’re using that fabric for a quilt, shrinkage may not be a concern, but if you’re using it for a garment, shrinking could be a definite issue. Some cotton fabrics, like flannel, can shrink significantly, causing your garment not to fit after washing. Denim should be washed and dried multiple times as the fabric often has residual shrinkage.

Follow the care instructions on the bolt end to pre-wash any cotton or cotton blend fabrics to avoid two things—shrinkage and color transfer. The latter occurs when a bright color is next to a lighter one—think red hearts on a white background. After washing, the background can become light pink, depending on how the dyes are set. If that happens, rewash with a color catcher to capture the excess dye.

For most synthetic fabrics, like polyester, there is no need to pre-treat, as shrinkage isn’t an issue. If you’re concerned about any applied finishes, pre-washing is an option.

For dry-clean-only fabrics, like wool and wool blends, it’s best to at least thoroughly steam the fabric before use to help avoid shrinkage, or to actually send it to the drycleaner before cutting out your garment and ask them to steam it.

Home décor fabrics generally do not require any pre-treating, as they often have stain-repellant finishes that can be removed by washing.


~Linda Griepentrog is the owner of G Wiz Creative Services and she does writing, editing and designing for companies in the sewing, crafting and quilting industries. In addition, she escorts fabric shopping tours to Hong Kong. She lives at the Oregon Coast with her husband Keith, and three dogs, Yohnuh, Abby, and Lizzie. Contact her at .

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May 3, 2024

Sew…what? Unexpected Sewing Tools

As sewing enthusiasts, we’re always looking for the best tool for the job, but do we always need to look only at the fabric or quilt shop for the right tool? Heaven’s no…any store is fair game! Check out some of these handy tools that didn’t have sewing as their original purpose.

Hemostats

Medical professionals will recognize these tools from the operating room where they’re used to access small areas during surgery and clamp blood vessels together, but in the sewing room, it’s a different story. These small scissor-like tools are ideal for turning things and for stuffing tiny areas. Dollmakers swear by them for getting fiberfill into mini-fingers and toes. They’re also useful for turning bag straps and helping to create sharp points on collars. For spaghetti straps and other small tubes, long hemostats are a godsend.

This tool comes in a variety of shapes and sizes—some have curved blades, others have long and skinny straight blades, and some have rounded, blunt-nose tips.

Magnetic bowl/tray

Head to the auto supply store, big box stores like Home Depot or Lowe’s, discount tool stores like Harbor Freight, or on Amazon for this handy device. It’s designed to hold screws, bolts and other small metallic parts removed during automotive servicing. But in the sewing room, it makes an ideal holder for pins and/or needles. Depending on your machine brand, some sewing machine feet can also be corralled with one of these bowls.

The magnetized bowls come in multiple shapes and sizes, some purely metallic, others with colorful plastic borders. Some are collapsible for easier toting and storing.

One caution: Be sure whatever you want to store is made from a metal that is magnetically attracted, like steel or nickel…otherwise things can fall out of the bowl.

Magnetic Knife Holder

Magnetic bar

Another magnetic fav from the kitchen section! Designed to hold the knife blades along a rail, these handy devices are ideal for storing scissors and other magnetically attractive sewing tools. Just hang it on the wall in your sewing room and you’ll always know where to find your items.

Dental Floss

dental flossWe all know that flossing is good for your dental health, but the floss itself can be helpful in your sewing room as well.

Floss is ideal for making gathers in all kinds of fabric. Simply sew over a strand of it with a wide and open zigzag stitch, the pull the floss to gather the fabric to the size needed (hold one end to avoid pulling it out of the thread channel).

Waxed dental floss is also helpful for sewing on buttons, as it makes a more secure attachment, especially for metal buttons that can sometimes wreak havoc with thread.

Wooden Spoon

Even if you have a large arsenal of professional pressing tools, there comes a time when something you’re trying to press may be too small to use with any of them. Enter the trusty narrow round wooden spoon handle. Whether it’s a spaghetti strap for a sundress or a shoulder strap for a tote, both need to be pressed and have the seams positioned. Once your sewn piece is turned, simply slide it over the wooden spoon handle and press as needed. Note: Be sure your spoon handle is raw wood and not coated, painted or finished with something that will come off on your fabric when subjected to the heat of the iron.

A wooden spoon handle can also be used to help turn a narrow tube as well or as a “finger-presser” for fabrics that can’t take the heat of an iron, like vinyl or laminated cottons. The bowl of the spoon can be used to press seams open at your machine without making repeated trips to the iron—just press and drag it along the opened seam.

Straws

Straws

Cut off a short bit of a straw and tape it to the front bed of your sewing machine (just in front of the foot) as a guide for feeding yarn or trim you want to couch. It helps the thread feed evenly in the needed location.

This same function can be accomplished by taping a straw segment above the presser foot and feeding the yarn or other couching material down through it and then under the foot.

Flex Straws

Flexible strawsFlex straws that bend allow for even more precise placement in awkward areas.

A straw segment can also be used in place of a bodkin to help thread elastic or a drawstring through a stitched channel. Just insert the carrier, tape the end in place and push the length through the opening. And a straw is perfect to thread through bobbins to keep them corralled.

So, next time you’re shopping, ask yourself “Is there a sewing use for that?”


~Linda Griepentrog is the owner of G Wiz Creative Services and she does writing, editing and designing for companies in the sewing, crafting and quilting industries. In addition, she escorts fabric shopping tours to Hong Kong. She lives at the Oregon Coast with her husband Keith, and three dogs, Yohnuh, Abby, and Lizzie. Contact her at .

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April 19, 2024

Quilting Q&A: Borders, Miters, and Fussy Cuts

Today we offer a triple treat of quilting trivia. From understanding mitered corners, to explaining fussy cuts, and finally, navigating the width of a quilt border. Grab your rotary cutter and let’s patch together some knowledge that’s as snug as a perfectly quilted blanket!

Quilting tools

How wide should a quilt border be?

A quilt border can be any width you want, depending on the finished look you like. There can a single border around the outer quilt top edge or there can be multiple borders of varying widths, again depending on the look you like or the pattern you’re following. Several factors should be considered when choosing border widths.

Austin House Quilt by Carolyn Friedlander
Austin House Quilt by Carolyn Friedlander

The first question to ask yourself might be how much bigger you want the quilt to be, as this can help determine how many and what width of borders you need to add to the pieced center.

The size of the fabric print can influence the border width. Larger prints beckon wider borders to showcase the design. If you use a narrow border with an oversized print, you can’t discern the beauty of the print motifs. The border fabric itself can help determine the width, as often stripes or floral stripes are used for borders and they’re a specific width to showcase an entire pattern.

If you plan to do custom quilting on the border, you may want a wider area to showcase the stitching.

When using multiple borders, a common rule of thumb for determining widths is that a border should be about 1 ½ times larger than the previous border. For example, if an inner border finishes at 1”, the second border should be approximately 1 ½”. In most instances, the narrowest border is on the inside, working outward to the widest.

For those who prefer numbers, outer borders can range from 3” wide on wall quilts up to 7” or more for king-size quilts.

Sometimes you may not want to put borders on all four sides of a quilt. Some modern quilters often use borders on only two sides, either adjacent or opposite, or they vary the border size from side to side and/or top to bottom, or even use different fabrics for different border locations.


Should I miter the border corners or lap them?

Again, this is a matter of preference. Lapped borders are easier to sew than mitered borders and they’re perfect for allover prints. But, if your border fabric is a stripe or floral stripe pattern, mitered borders are more attractive as the design comes together at a 45° angle, rather than lapping.

Image showing lapped and mitered corners on quilts

Borders can also be pieced, either purposefully or from scraps, and scrap borders can also be lapped or mitered, depending on the desired look.

Pieced border on a quilt
Pieced border


My quilt pattern says to fussy-cut the blocks. What does that mean?

Fussy-cutting is a technique in which a fabric motif is strategically placed within a quilt block. Most commonly, a design element is centered in a block for emphasis.

Fussy cut square

Garment sewers often fussy-cut fabric so that motifs are placed in a specific place on the garment—a collar, pocket, front band, etc.

Fussy-cutting requires a template or pattern piece you can see through for the easiest cutting. Just place it over the desired design and cut around it. DON’T FORGET that you need seam allowances, so make your template or pattern to include those.

Many prints are directional, so keep that in mind when cutting pieces, so that the design is oriented the proper way in the finished project. For example, all the elephants should be standing on their feet, not some on their heads.

Fussy-cutting normally takes more fabric than not fussy-cutting, as you may not be able to use the entire length or width, and you don’t want to end up with partial motifs during your cutting process. The extra amount needed depends on the repeat and size of the design motif you’re showcasing, so there’s no hard and fast rule about how much extra to buy. Bring your pattern to the store and see how many you can cut out of a given amount of yardage.

Some fabrics may offer multiple opportunities for fussy-cutting within the same piece. For example, a zoo animal may be the center for some blocks, a different animal for others and perhaps a rainbow motif from the same fabric for others. This allows for less waste than choosing a single motif focus.


~Linda Griepentrog is the owner of G Wiz Creative Services and she does writing, editing and designing for companies in the sewing, crafting and quilting industries. In addition, she escorts fabric shopping tours to Hong Kong. She lives at the Oregon Coast with her husband Keith, and three dogs, Yohnuh, Abby, and Lizzie. Contact her at .

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October 27, 2023

Pin Weaving (preview)

Pin weaving is a form of small-scale weaving traditionally done on a frame made of pins with the warp and weft wrapping around the pins. Pin-woven textiles have a selvage edge all the way around.

The equipment needed for pin weaving is minimal, consisting of straight pins; a padded, pinnable board; a rectangle of fusible interfacing; pearl cotton to make the loom; and a tapestry needle which you will use to weave an assortment of textural yarns and perhaps fabric strips into your finished piece.

The Loom

The size of the weaving determines the board size. You can purchase the padded board in a retail shop, or you can make your own.

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September 22, 2023

Tote Tactics

Colorful tote bagTotes are one of the easiest projects sewers can make and are often a first project for beginners. They can be lined, unlined, open-top, zipper-top or even closed with a magnetic fastener, and some offer inside and/or outside pockets as an extra convenience. Tote bags generally have flat bottoms and corner shaping, though they can also simply be flat. These handy carryalls have gained popularity in recent years as many shoppers sport their own bags to the store to carry home their purchases.

The simple design of a tote makes it ideal for many fabrics from canvas to ripstop, quilting weights and home décor styles, even leather. Unlined totes made in lightweights like ripstop are ideal for grocery hauling, as they fold totally flat, but are still strong for carrying cans, produce and other vittles.

There are many patterns available for tote bags, or you can easily make your own simple version with two rectangles and some straps. But, no matter the style, there are some handy tips for tote making.

Inside Scoop

Unless your tote is unlined, it’s a good idea to reinforce the bag sides with interfacing or sewable foam for added stability and shape retention. Judge the type of stabilization needed by the fabric weight—lighter weight fabrics require a sturdier interfacing.

Fusible interfacings, fleeces and foams are ideal backing for tote sides. Cut the pieces the same size and shape as the outer bag pieces. Some sewers like to trim the seam allowances from the backing pieces prior to fusing to reduce bulk. Be sure to follow the manufacturer’s instructions for proper fusing and always allow the pieces to cool before moving them.

Bottom Basics

Flat tote bottoms can be further stabilized by adding an insert of the same size after constructing the bag. Materials available for inserts are acrylic shapes, very stiff interfacing or a rectangle of heavy plastic canvas and often come in various sizes, colors, and styles, or as cut-your-own. If the tote is unlined, simply cover the bottom insert with matching fabric. For lined totes, the stabilizer goes between the outer and lining layers. To keep the bottom insert from shifting, it’s a good idea to loosely tack it in place at the side seams.

Bottom of bags
Tote bag base shapers are available on Amazon.

Solid Footing

Adding bag feet to a tote bottom is a great way to help keep the tote cleaner, as it allows the fabric itself to stay off the ground. Bag feet come in a variety of shapes, colors and sizes, and they are applied prior to any lining, but after interfacing. Feet can be applied like a magnetic fastener with two prongs inserted into a small hole in the desired corner location on the finished bottom. A piece of foam or stiff interfacing is placed over the prongs for reinforcement, then the metal prongs are folded outward and flattened. To further protect the bag lining, a piece of fleece or interfacing can be placed over the prongs as a cushion. Feet are also available in screw-back versions and can be padded and reinforced as needed.

Bag feet available on Amazone
Bag feet available on Amazon.

Getting a Handle on it

Tote bagThere are a wide variety of options for tote handles. They can be short or over-the-shoulder length, and made from self-fabric, webbing, rope or leather (real or faux). The handles can simply be sewn to the tote top hem, or they can straddle the entire length of the tote and included in the bottom seam. Or, they can be applied to the outside tote surfaces, depending on the desired look.

If the tote is unlined, it’s a good idea to have a double hem at the top for stability when attaching handles to the opening.

Tote handles made of fabric need some kind of reinforcement to make them sturdy—so insert interfacing or fleece inside and topstitch both edges to flatten.

If you’re attaching finished straps to the tote outside, turn under any unfinished ends, then sew a square at each strap end, reinforced with an x for added strength.

Any handles applied to the outside of the tote should be attached prior to lining it so that the stitching or attachment backings are hidden. If you plan to carry heavy items in the tote, add a piece of stiff interfacing behind any outside handle attachments for reinforcement.

Leather handles can be attached several ways depending on the style. Some come with pre-punched holes for easy hand stitching; others require the use of screws or rivets to attach. One handy notion is called a Chicago screw—it’s a post and cap that fits into pre-made handle holes and, as the name implies, simply screws together to secure.

Flat leather handles attached with Chicago screws.

If you’re hand-sewing leather handles in place, use heavy thread and a backstitch for a sturdy application. Some lightweight leather handles can be machine stitched in place as well.

Leather strap on a tote
Rolled leather handles attached with hand-stitching.

Share your tote projects with us! Visit our Facebook page for today’s post and show us your own tote bag projects.


~Linda Griepentrog is the owner of G Wiz Creative Services and she does writing, editing and designing for companies in the sewing, crafting and quilting industries. In addition, she escorts fabric shopping tours to Hong Kong. She lives at the Oregon Coast with her husband Keith, and three dogs, Yohnuh, Abby, and Lizzie. Contact her at .

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