texture

There are times when you want to add a bit of texture and fun to a project, but you may not be quite sure what to do. Think about encasing something under tulle, which serves to hold it in place and protect the addition at the same time.

What to encase?

Depending on the project you’re making, there are many choices. Silk flowers are a fun addition to home décor items or special-occasion wear. They’re affordable and look beautiful. Envision a long skirt fully embellished with silk flowers. OK, if you’re not quite that ambitious, think about a collar, pocket or tote bag. Take apart the flowers to use single layers or individual petals.

Bits of novelty threads, yarns or trims are another option. They can form a pattern or be totally free-form embellishments.

A collage of fabric bits is another idea—those tiny but colorful slivers of fabric you trim with a rotary cutter are ideal, as are small shapes of fabric purposefully cut for this technique. If the project isn’t going to be washed (like a wall hanging), then you can think more broadly to small rocks, shells, photos, etc.

Over the Top

Tulle is ideal for going over the top of your treasures—it’s very thin and almost invisible, depending on the color used and the base color, but it adds a “just-right” layer to help hold things in place.

Tulle is a fine mesh fabric found in the special occasion department of the fabric store, and it comes in myriad colors. It’s lighter and finer than the holes in net for a more invisible look. Note that some tulle is nylon and will easily melt, so check the fiber content and adjust the iron temperature as needed before pressing.

Covering Up

In addition to the items you want to encase, some fabric glue is helpful to hold multiple items in place. If you prefer not to glue, then use long pins to temporarily hold things until the finish stitching is done.

Cut the base fabric in the size needed. For example, if it’s a garment and you want to embellish the pocket, collar or perhaps an entire skirt, cut the pattern piece from the fashion fabric. If it’s a pillow or wall hanging, cut the fabric pieces as required by the pattern.

Position the accent items where you want them on the right side of the base fabric. Add a dot of fabric glue behind to hold it place—don’t cover the entire surface as you want to have some dimension. If you’re using silk flower petals, just a glue dot at the center is sufficient for securing.

Audition your creation with different colors of tulle to see the variation in look depending on the color used. When you’ve chosen an appropriate color, cut the tulle about 1” larger than the base fabric shape and press out any wrinkles. If your encasements, are thicker, cut the tulle larger to allow for full coverage.

Pin the tulle over the base fabric, placing some pins along the edges and some in and between the encased accents.

Now comes the fun—adding embellishments to hold things in place.

Embellishing

To help hold items in place, think about hand- or machine stitching around them to make a “pocket”, add some beads through the layers (especially nice for silk flower petals), or add hand- or machine embroidery to keep things where you want them.

Whatever technique is done over the layers keeps the tulle from being loose and “bagging out” if it’s not anchored in some way.

You can use free-motion stitching to go around shapes, or keep the presser foot on for a more controlled look. Single motifs of decorative stitches are ideal for flower centers or weave rows of decorative stitches in and out of the encased items.

For machine embroidery motifs, add a layer of stabilizer underneath for hooping. When hand-stitching, sew through both the tulle and base layer, and the same for attaching beads, charms or baubles. The more stitching that’s done, the flatter the finished piece will be.

When the embellishing process is complete, stitch around the edge of the entire piece and trim the tulle to match the base shape.

Finishing

Use your embellished piece in your finished garment or project, just as you would if it were plain fabric—you’ve created your own unique fabric worthy of compliments and questions about how you did it, as the tulle is elusive.

~Linda Griepentrog is the owner of G Wiz Creative Services and she does writing, editing and designing for companies in the sewing, crafting and quilting industries. In addition, she escorts fabric shopping tours to Hong Kong. She lives at the Oregon Coast with her husband Keith, and three dogs, Yohnuh, Abby, and Lizzie. Contact her at .

One of my college classmates was a very recent immigrant from Korea and she once asked me to help her wash her “dance kimono.” Naturally I was eager as it is “common” knowledge that silks should never be washed. What I learned continues to influence my sewing today.

Her kimono was pieced of over 50 strips (up to 3″ in width) of silks, plus bindings (such as strips edging the collar) in different colors. Because the dyes were not colorfast, she had to take the entire kimono apart and wash every color separately, then press and sew back together with long stitches.

Lesson 1

Wash all fabrics separately until you determine whether the dyes are colorfast (like sweatshirts!).

Lesson 2

Don’t complain if a Western-style garment needs to be pressed after washing ─ doing laundry really could be worse.

The collar area was doubled fabric; it did not have a separate interfacing material and the excess was not secured so kimono collar would wrinkle and bunch up if washed.

Lesson 3

Baste or quilt any intact original kimono collar to wash. If making western style garments, make sure interfacings are secured. If deconstructing kimono to re-purpose fabrics, the collar probably has double the visible fabric.

Obi (belt) is generally the most elaborate part of the costume. It is also very stiff, the purpose is partly like a corset. For a light-weight silk, the stiffness is provided by covering a very dense canvas-like fabric, which is always blocked to retain the original size – unless you don’t plan to reassemble the obi.

Lesson 4

Unseen construction materials affect whether silk (or any) garments can be washed, so pre-shrink.

Some silks reveal textures that may not be apparent until wet. These fabrics may have quite subtle matte/shiny differences due to threads that are spun differently and thus shrink at different rates. All of these silks are intended to be blocked when washed.

Lesson 5

If you like texture, enjoy, even if you now have less fabric! Better to adjust plans than to finish and then shrink.

The following are things I’ve learned from deconstructing and re-purposing obi and kimono.

Both obi and kimono fabrics are woven in widths of 10-14 inches, and the garments utilize that to the fullest. The rounded corners of sleeves are left square and not trimmed, with the excess fabrics bunched up in the curved area.

If smaller sizes of kimono are made, seams are made extra wide but not cut off. If extra width is needed an entire extra panel of fabric may be sewn into the side and is not cut or could be half the width, with very wide seam allowances. Extra length will probably be turned up on the inside to replace some of the lining fabric. All of this is to take advantage of taking apart garments to wash, as when re-assembled fabrics can be turned to even out wear or to change the fit/size. No worries if you gain or lose a little weight; alter each time you wash!

Most of the rolls of fabric were made specifically for either obi or kimono, with pre-planned cutting marks. Bolts of fabric are a new concept. This means that the fancy portions of obi could be in the only area(s) that show, while plain fabric is woven for the rest. Do not assume the entire length is what is seen on the outside.

Some fabrics such as brocades and jacquards may fall apart or unravel if cut. This is not a problem for kimono or obi as the fabrics are nearly always left with selvages intact, with the exception of obviously pieced dance and fancy garments.

INSPIRED? Antique Pattern Library has antique kimono fabric designs and stencils in the “J” and “K” sections.

Lesson 6

Test a small cut before re-purposing kimono or obi; particularly be careful if threads are carried on the back. Also examine carefully to locate any possible embroidery and avoid cutting through that area. Embroidery threads may not be colorfast so know it could possibly bleed when washed, particularly true on ornate garments.

Examine carefully if there are any metallics. If painted/stenciled it could be metallic leaf that is not washable as it will flake off. If the metallic is woven in, test first but the threads are probably washable if of the same weight as the other threads. If the metallic threads are heavier or if embroidered, it is probably NOT washable due to the construction method of heavier metallic threads.

There are several ways to use for garments: (1) kimono are wrapped and tied, so many people can wear as open jackets/vests without altering; (2) side inserts can be added to keep the front area intact: use the bottom of long kimono, sleeves, linings, parts from a second kimono, other fabrics; (3) I’ve taken kimono apart completely and re-sewed into large enough blocks to cut Western-style blouses and jackets.

~Hope Wright, ASG Member, Springfield Lincolnland Chapter

Just Encase