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May 15, 2020

Basic Sewing Tools: Marking Tools

Help! I’ve marked my fabric and I can’t get it out!

No matter what you are sewing, you often need to find a way to mark key points on the fabric. You might need to mark stitching lines for darts, placement for pleats, buttonholes, or pockets. But nothing is more heartbreaking than to find that the marks have made a permanent home on the fabric and become center stage in your final project.

Top priority is always to choose the right marking tool that will do its job and leave when it’s done. This article will remind you of a few options to select from to achieve that result. But since we all occasionally need a little help when we fall, it is also important to have a few ideas in your arsenal for what to do when those marks refuse to leave when you want them to.

So, here we go. Let’s start with a few marking options, complete with strong points and weak points, for you to consider. Then we will wrap up with a few ideas to help you save the day if one of them results in a “fall” you have trouble getting up from.

Regardless of which marking tool you use, the most important thing you need to know is test, test test!

Frixion Pens

Marking tools - Frixion pensFrixion Pens are a personal favorite of mine. They are easy to find online, in office supply stores and some fabric stores. They work great on smooth fabrics but not so well on textured fabrics. Watch out, though. If you press too hard when marking, they can mar the fabric and leave a ghost line. Ask me how I know this… Press just firmly enough to make the marking visible but not scar the fabric. They erase quickly and easily with heat or steam but be forewarned that if you plan to take your project to the North Pole, those marks just might reappear. Yep, extreme cold can do that, just like magic! There’s a whole chemistry lesson that explains why, but that is for another day.

Tailor’s Chalk

Tailor's chalkTailor’s Chalk comes in two types, with wax and without. Chalk without wax works particularly well on smooth fabric textures. It usually brushes away without leaving a residue, though sometimes too quickly so handle the marked fabric with care. Chalk with wax is a better choice for heavier and textured fabrics as it won’t disappear into the fibers or as quickly, waiting for the heat of an iron to disappear.

The downside of tailor’s chalk is that it gets dull and sometimes crumbles which means you will need to sharpen it. You can easily sharpen it by using a simple sharpening tool from makers like Dritz, or you can sharpen it by carefully (no injuries, please!) scraping the sharp edge of the blade of your paper scissors or an Exacto knife along the edge of the chalk.

Chakoner

Chakoner is a powdered chalk receptacle with a dispensary wheel that makes a super fine chalk line. It rolls easily over both smooth and textured fabrics without leaving ghost lines and has a brush to help with removing the chalk when you are done. Chakoner’s are refillable, but refilling can be a messy and frustrating job. The most common tip for accomplishing that tricky task is to pour the chalk into the little hole on top of the Chakoner using a small homemade paper cone, which has mostly negative reviews. In the category of repurposing household items for other purposes, one user reported using a.. wait for it… turkey injector with a large gauge needle! It was reportedly still a bit fiddly but more effective than the paper cone. Wonders never cease!

Chakoner

Air/Water Soluble Pens

Air/Water soluble pens work well for marking lines and dots and usually leave no residue afterwards. Water soluble pen marks can usually be removed with a damp cloth or cotton swab or a spritz from a spray bottle. Air soluble marks should dissolve into thin air within 12-24 hours on their own, so they are not a good choice if you are marking ahead but won’t get to the sewing for a day or two. Sometimes the markings can bleed, distorting the exact location of the mark so take care not to press the pen on the fabric too long. Also, be aware that these pens can dry out so be sure to replace the cap tightly after each use.

Water soluble pens

Thread

Marking tools - threadThread can be used for tailor’s tacks and thread tracing and will never leave ghost lines or residue. It is a more time-consuming way to mark and you need to handle the marked pieces with care to be sure the thread doesn’t pull out before using the markings. This method is especially popular with those who are sewing couture garments.

But, what if it doesn’t go away?

With so many options, you are sure to find just the right marking tool for your project. But what if even after you have tested your marking tool on a scrap piece of fabric and made the perfect choice, one of those markings, in a very visible location of course, just won’t disappear. We are right back where we started in this article, “Help! I’ve marked my fabric and I can’t get it out!”

When that happens — and it inevitably will at some point — here are a few tips that just might help you save the day. You still can’t escape that testing advice. The last thing you want to do is make matters worse by trying one of these tips only to find out your fabric absolutely hated the idea and now you have not only the marking pen visible, but also a not-so-lovely spot from where you tried to remove it.

  • The ghost lines sometimes caused by Frixion pens might be removed with either Amodex or Mötsenböcker’s Lift-Off 3 if the line is not the result of pressing so hard that you have marred the fabric. Both are available on Amazon and sometimes in grocery stores.
  • Lightly rubbing chalk markings with a Wet Wipe or vinegar water will often remove stubborn markings without affecting the fabric at all. And since new moms tell us baby wipes can clean ANYTHING, this idea is probably worth trying!
  • Gently rubbing the mark with a Mr. Clean Magic Eraser is said to be effective for removing some markings.
  • To remove stubborn wax-based chalk markings, place a layer of plain brown paper (like a paper bag) over the stain and press (not rub) for several seconds.
  • Stubborn water-soluble marks may be removed by letting the fabric soak in a bowl of lukewarm mildly soapy water. After soaking for a generous amount of time, fill the bowl with cold tap water and rinse until all the soap is gone.
  • You may also have luck forcing a stubborn air-soluble mark away by dabbing with a cotton swab that’s been wet with rubbing alcohol.

Here’s hoping you never ever need any of these “save the day” tips. But at least you have a few to try if you do.


~Sheryl Belson, ASG Plano Chapter

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Tagged With: marking tools, sewing, sewing tips

May 8, 2020

What I’m Sewing: Pamela’s Patterns Jacket #121

For nearly a year, we have been featuring articles on independent pattern designers and their companies. Now it’s your turn to tell us who you are sewing and share your experiences. In this first article, Princeton Chapter President, Joen Venitsky, tells us about her experience making a jacket from Pamela Leggett’s collection of Pamela’s Patterns. She used a knit animal print which is so popular this year.

If you are an ASG member and have a favorite pattern from an independent designer, we would love to hear from you. Go to the Members Only area and complete the What I’m Sewing pattern review form. We are looking forward to seeing your creations and hearing of your experiences!

What I’m Sewing

JoenVenitsky - Pamela' s Patterns #121
Pamela’s Patterns #121

I have attended a number of classes with Pamela Leggett and have loved every one of them. When her new Cascade Cardi or Blazer pattern came out, I knew I just had to try it. I was not disappointed.

Q. Item Created 
A. Jacket

Q. Independent Pattern Designer
A. Pamela’s Patterns

Q. Name and Number of Pattern
A. #121 Cascade Cardi or Blazer

Q. Fabric Used
A. Ponte Knit

Q. Special Embellishments/Notions Used
A. Gold Button and Interfacing

Q. Skill level required?
A. Intermediate to Advanced Beginner

Q. Are the instructions easy to follow?
A. Yes, Pamela’s Patterns have great fitting and pattern adjustment tips to help you get the perfect fit. The pattern includes a full bust pattern piece, which I used and was happy I didn’t have to do a full bust adjustment. You Tube video references are also included throughout the instructions for certain pattern details.

Q. Are you pleased with the finished result?  Did it meet your expectations?
A. Yes, I was very pleased with the results and how the jacket looked.

Q. Did it look like the picture?
A. I believe it did with the exception of the contrasting sleeve and collar detail.

Pamela's Patterns #121

Q. Did you make any modifications in the pattern?
A. No, thankfully the full bust pattern piece was included with the pattern.

Q. Are there any changes you would have made?
A. I would like to try the tapered sleeve on my next blazer for summer when I would wear a cami or tank underneath.

Q. Did the pattern teach you any unique or special techniques?
A. Wrapped corner technique, which I did not know was taught by Nancy Zieman, and as Pamela states is life changing!

Q. Would you make this again?
A. Absolutely! It’s a great way to add to my wardrobe.

Q. Would you recommend this pattern to others?
A. Yes, if you are looking for a comfortable knit jacket or cardi to add to your wardrobe, this pattern is for you!

This pattern may be purchased at PamelasPatterns.com. Don’t forget that Pamela offers ASG members a discount which can be found on the Special Offers page. Not a members? Join today!


~Joen Venitsky, Princeton ASG Chapter President

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Tagged With: blazer, jacket, pattern, sewing

April 24, 2020

Fishy Flounces: Flounced Hem

Normally, fishing line would be found in the tackle box or with rods and reels in the garage, but why not try bringing a spool of it into your sewing room to create awesome ruffled edges and hems with your serger? The secret is encasing the fishing line in the stitching to create undulating edges with aplomb.

Flounced hem

Ruffled edges are ideal for eveningwear, costumes and skirt hems. This technique works best on bias edges and on the crosswise of knit fabrics, but it will also work on lengthwise or crosswise edges to a lesser extent.

What kind of fishing line?

Fishing line comes in a variety of weights, types and colors, but for sewing purposes look for a clear, monofilament line between 12 and 60 weight. The larger the number, the thicker the line. If you’re buying one specifically for sewing ruffles, 25-30 is a happy medium, though you might want a lighter weight for thin fabrics like chiffon.

fishing line

Although not required, check to see if your serger has a beading or other foot that has a top center guide that the fishing line can slide through.

It’s important to test-stitch before you begin serging on the actual project, as this process can be a bit tricky. If you have trouble with uneven feeding and squirmy fabric, add some water-soluble stabilizer under the fabric and serge through it as a temporary aid to even feeding.

  • Set your machine for a rolled hem setting. Each machine differs slightly, so consult your owner’s manual for specifics.
  • Leave a 12” tail of fishing line, then begin stitching over only the fishing line. After you’ve serged for about an inch, lift the foot and place the edge of your fabric wrong side up under the line, then continue stitching. It’s helpful to actually serge about ¼” inside the cut fabric edge rather than trying to align the monofilament with the actual fabric edge. Hold the line to guide it along the seamline, but don’t stretch the fabric. The line must rest between the needle and the cutting blade as it’s very important not to cut it.
  • Serge slowly encasing the fishing line as you stitch. If you accidentally cut into the line, you’ll need to stop, remove some stitches and begin again with a new portion of line, so make every effort not to nick it and maintain one continuous piece around the entire hemline or ruffle edge.
  • When you reach the end of the edge you’re working with, leave another 12” tail of fishing line. Remove the project from the serger and gently stretch the encased fabric edge for maximum ruffling. Thread some of the fishing line tails back into your stitching, or if it’s a soft, flexible line, tie a knot to secure.

Tip: Be careful pressing over the fishing line, as some of it is nylon and will melt easily.

For more information on serger sewing, see the Serger videos in the Members Only area.


~Linda Griepentrog
Linda is the owner of G Wiz Creative Services and she does writing, editing and designing for companies in the sewing, crafting and quilting industries. In addition, she escorts fabric shopping tours to Hong Kong. She lives at the Oregon Coast with her husband Keith, and two dogs, Yohnuh and Abby. Contact her at .

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Tagged With: flounces, hems

April 10, 2020

Time to Make the Masks

I relate to life in music, TV shows, movies, and media in general. For the past few weeks, when I woke up, I felt as though my life was the movie Groundhog Day. Remember when Bill Murray relived his day over and over again and couldn’t get out of the loop? That’s the way I feel with this Coronavirus quarantine. I am reliving the same day — OK, different date — but the same bad dream EVERY DAY.

Then, this morning I awoke with the old tv commercial from Dunkin’ Donuts bouncing through my thoughts. Do you remember the one where the baker rose every morning with the mantra, “Time to make the donuts. Time to make the donuts?”

My mantra is
“Time to make the masks.”

In the Groundhog Day movie, Bill Murray tried to vary his loop by doing different things and even improved himself along the way. It got me thinking, “How can I vary my mask making?” How can I remove the hum-drum from this mass production sewing project? What can I do to get creative?

Did I forget something?

Another thought also crossed my mind. I have been so focused on making masks to donate to an organization with which I am affiliated, I hadn’t even made any for my family. So now I was on a mission. Masks for the grandkids, kids, hubby, in-laws and maybe even me.

Hubby had already made it very clear that he was far too careful (substitute macho here) for the virus to get him. The teenage granddaughter thought it just wasn’t cool (my word, not hers). And the four year old grandson—a  mask wouldn’t make it to his face unless it had an aspect of play involved. Sew, what’s a “sew’r” to do? Customize, of course!

Fabric Stash to the Rescue

I pulled out my fabrics and matched fabric to people.

  • My youngest grandson at 4 is crazy about dinosaurs and I just happened to have a scrap of dinosaur fabric that was large enough to make the face part of the mask. One down!
  • Middle grandchild is 9, loves Mickey Mouse and the color red. My stash proved useful again with the themed fabric.
  • What about that 16 year old? I had made her pajama pants for Christmas, so there were still some scraps of Dr. Who fabric left. It might not be cool to wear a mask, but Dr. Who anything was definitely cool. Since her dad was also a fan of the Doctor, they soon had matching masks.
  • Mom loves Tigger from Winnie the Pooh and I know there must be some Tigger fabric somewhere (I’m still searching). If that doesn’t turn up, my other son just had me make him pillows with the Marauders’ Map fabric from the Harry Potter movies. Those leftovers would be good for the both of them.
  • I can’t forget my sister-in-law. She loves chocolate. What would be better than Hershey’s Miniatures fabric?
  • Finally, what about hubby? He teaches chemistry, but I know I just don’t have anything in the way of test tubes or chemical symbols. What to do, what to do? Just as I was about to give up, I found some fabric with eagles on it. Both our sons are eagle scouts and he works with the scouts on advancement of the eagle candidates. Sounds like another match.

custom face masks

Rosemary matching outfitI spent the rest of my day “playing” with my fabric stash. It was fun — really fun remembering all the things I had made with the original purchases and it brought variety to what had been a boring mass production effort. And the results were very special, very unique masks that matched everyone’s personalities. With fashion statements like these, perhaps masks will be viewed as a fashion accessory instead of a health necessity. Can you see it now, designer masks that everyone will soon be wearing? Or perhaps the next challenge in your chapter fashion show?  Maybe it will even be the first challenge on next season’s Project Runway.

Oh, and for me, if this virus situation continues, I will soon have a mask to match every outfit!

Stay safe, stay healthy and keep on sewing!


~Rosemary Fajgier

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Tagged With: Fabric masks

April 3, 2020

Can Silks be Washed?

One of my college classmates was a very recent immigrant from Korea and she once asked me to help her wash her “dance kimono.” Naturally I was eager as it is “common” knowledge that silks should never be washed. What I learned continues to influence my sewing today.

Her kimono was pieced of over 50 strips (up to 3″ in width) of silks, plus bindings (such as strips edging the collar) in different colors. Because the dyes were not colorfast, she had to take the entire kimono apart and wash every color separately, then press and sew back together with long stitches.

Lesson 1

Wash all fabrics separately until you determine whether the dyes are colorfast (like sweatshirts!).

Lesson 2

Don’t complain if a Western-style garment needs to be pressed after washing ─ doing laundry really could be worse.

The collar area was doubled fabric; it did not have a separate interfacing material and the excess was not secured so kimono collar would wrinkle and bunch up if washed.

Lesson 3

Baste or quilt any intact original kimono collar to wash. If making western style garments, make sure interfacings are secured. If deconstructing kimono to re-purpose fabrics, the collar probably has double the visible fabric.

Obi (belt) is generally the most elaborate part of the costume. It is also very stiff, the purpose is partly like a corset. For a light-weight silk, the stiffness is provided by covering a very dense canvas-like fabric, which is always blocked to retain the original size – unless you don’t plan to reassemble the obi.

Stitch lengths

Lesson 4

Unseen construction materials affect whether silk (or any) garments can be washed, so pre-shrink.

Some silks reveal textures that may not be apparent until wet. These fabrics may have quite subtle matte/shiny differences due to threads that are spun differently and thus shrink at different rates. All of these silks are intended to be blocked when washed.

Lesson 5

If you like texture, enjoy, even if you now have less fabric! Better to adjust plans than to finish and then shrink.

The following are things I’ve learned from deconstructing and re-purposing obi and kimono.

Both obi and kimono fabrics are woven in widths of 10-14 inches, and the garments utilize that to the fullest. The rounded corners of sleeves are left square and not trimmed, with the excess fabrics bunched up in the curved area.

Curved corner on a sleeve

If smaller sizes of kimono are made, seams are made extra wide but not cut off. If extra width is needed an entire extra panel of fabric may be sewn into the side and is not cut or could be half the width, with very wide seam allowances. Extra length will probably be turned up on the inside to replace some of the lining fabric. All of this is to take advantage of taking apart garments to wash, as when re-assembled fabrics can be turned to even out wear or to change the fit/size. No worries if you gain or lose a little weight; alter each time you wash!

Seam allowances

Most of the rolls of fabric were made specifically for either obi or kimono, with pre-planned cutting marks. Bolts of fabric are a new concept. This means that the fancy portions of obi could be in the only area(s) that show, while plain fabric is woven for the rest. Do not assume the entire length is what is seen on the outside.

Some fabrics such as brocades and jacquards may fall apart or unravel if cut. This is not a problem for kimono or obi as the fabrics are nearly always left with selvages intact, with the exception of obviously pieced dance and fancy garments.

INSPIRED? Antique Pattern Library has antique kimono fabric designs and stencils in the “J” and “K” sections.

Lesson 6

Test a small cut before re-purposing kimono or obi; particularly be careful if threads are carried on the back. Also examine carefully to locate any possible embroidery and avoid cutting through that area. Embroidery threads may not be colorfast so know it could possibly bleed when washed, particularly true on ornate garments.

Examine carefully if there are any metallics. If painted/stenciled it could be metallic leaf that is not washable as it will flake off. If the metallic is woven in, test first but the threads are probably washable if of the same weight as the other threads. If the metallic threads are heavier or if embroidered, it is probably NOT washable due to the construction method of heavier metallic threads.

There are several ways to use for garments: (1) kimono are wrapped and tied, so many people can wear as open jackets/vests without altering; (2) side inserts can be added to keep the front area intact: use the bottom of long kimono, sleeves, linings, parts from a second kimono, other fabrics; (3) I’ve taken kimono apart completely and re-sewed into large enough blocks to cut Western-style blouses and jackets.


~Hope Wright, ASG Member, Springfield Lincolnland Chapter

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Tagged With: kimono, sewing tip, silk, texture

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