ASG Sewing Blog – Page 67

November 22, 2019

Serger Rolled Hem

Perhaps you use your serger only for making neatly finished seams—but there’s so many other things you can do with it. One of my favorites is a rolled hem.

Whether you’re creating beautiful edges on napkins or silk scarves, or delicate hems on lingerie, the rolled hem is perfect to hide any “pokies” of thread along the edge. It’s also ideal for quickly finishing ruffle edges.

On a Roll

Image courtesy of Bernina
Used with permission

Before you begin the rolled hemming process, read your instruction manual for setting adjustments. Some brands of sergers utilize a different needle plate, others a separate foot or attachment, but common to all is altering settings so that the fabric edge rolls under. This is usually accomplished by making adjustments to the tension settings and stitch width, and using only one needle.

Narrow rolled hems can be stitched with regular serger thread or a novelty thread, like Woolly Nylon or a texturized polyester that fills in the stitched area. These threads will produce more of a satin stitch look to the edge, covering the entire fabric edge. Using rayon thread in the upper looper will produce an edge with a sheen, while texturized polyester thread creates a matte finished edge.

If your serger has a standard setting for a rolled hem, follow the instructions for its use. If you need to manually adjust, begin by using a narrow stitch finger for a perfect roll. Tighten the lower looper tension so that the fabric edge rolls under and is encased by the upper looper thread. You may need to adjust the needle tension to perfect the stitch. Shorten the stitch length to produce the look you want. It’s all a matter of testing on the fabric you want to hem, as each fabric reacts differently. Softer fabrics roll easier than stiffer fabrics which may not roll at all.

Rolled edge on knit fabric — Rolled edges are ideal for knit fabric finishing.

Change it Up

For variation, try using a variegated thread, but note that you might produce a striped edge depending on the thread brand, as some threads are dyed in regular intervals, while others are dyed randomly.

In addition to creating a lovely edge finish, a narrow rolled hem can also be used to stitch a seam in delicate fabrics like lingerie tricot or sheers. Only the width of the stitch shows, creating an almost invisible seamline. To use as a seam, leave the stitch length slightly longer than for edge finishes to keep the seam soft and subtle.

~Linda Griepentrog
Linda is the owner of G Wiz Creative Services and she does writing, editing and designing for companies in the sewing, crafting and quilting industries. In addition, she escorts fabric shopping tours to Hong Kong. She lives at the Oregon Coast with her husband Keith, and two dogs, Yohnuh and Abby. Contact her at .

November 20, 2019

Learn to Sew: Knowing the Nap

Napped fabrics are normally cut so that the nap runs down the garment, from the top down toward the lower hem. This feels softer, and the fabric tends to pill less and wear better. However, when the nap runs up, the color is richer.

Short-nap fabrics, such as corduroy and velour, can be cut with the nap running up to achieve a richer, deeper color and a more interesting texture.

Outerwear fabrics with heavy and longer surface fibers, such as fleece and camel’s hair, should be cut with the nap running down, so the pile is smooth and the garment repels moisture better.

~ Thank you to www.sewing.org for this tip (reprinted with permission)

November 15, 2019

Not Your Typical Pattern

Rae Cumbie | Fit for Art Patterns — Rae Cumbie

You’ve seen set in sleeves, dolmans, dropped shoulders, and raglans, but in 2011 a new design hit the market with the Tabula Rasa Jacket from Fit for Art Patterns by Rae Cumbie and Carrie Emerson. Their unique pattern gives the maker not only an easy, unusual sleeve insertion, but also a pattern that provides a palette for easy embellishment.

These talented ladies began their business shortly after Rae had begun to teach jacket making to quilters and weavers and found that there were no patterns that allowed them to create great looking jackets with simple lines and easy options for fitting. Thus, out of necessity, came innovation.

What makes this pattern unique is that the sleeve is first stitched to a side panel at the underarm. It’s then stitched to the front and back panels in one long seam that goes smoothly from the lower hem edge in the front, over the shoulder, and down to the back hem edge. The construction is simple and easy because it does not require the gathering or circular construction of set in sleeves. Another benefit is that the design is comfortable to wear and easy to fit!

When describing her pattern, Rae said, “Our patterns have fitting options in key locations so students and home sewers can achieve a good fit quickly. Our directions walk stitchers through all the key information they need to sew successfully; our blog posts, videos and helpful hints on the web fill in gaps like zipper insertion techniques and seam finishes. We want sewists to sew successfully with Fit for Art Patterns.”

Although the company started with the jacket pattern, they quickly saw that the pattern could be adapted to far more than just jackets. They now offer variations with the same basic pattern to make pajamas, blouses, dresses, vests, etc. And if you prefer to work with knits, there is a pattern for them as well. Most recently added is their Eureka! Pants that Fit pattern.

ASG Members can visit the Members Only – Special Offers section of the ASG website for a limited time discount of online orders of patterns, tips books, or kits with patterns from Fit for Art Patterns.

Where It Started

Rae started sewing as a child, being taught by her mother and later friends of her mother’s when more expertise was required. She admits to, “. . . sneaking into the sewing room to work on the machine unsupervised and getting into some chaotic messes.” She went on to add, “I can still make a pretty good sewing and fabric mess today when I am working on a new embellishment technique or art garment.”

This designing and embellishment process remains her favorite aspect of the business, saying, “This, of course, requires careful construction and engineering so no element of sewing goes unturned with these projects. But my next favorite thing is teaching and energizing sewers of all ages to play creatively with fabric and make successful clothing.”

Perhaps it was because of her relaxed sewing education that she felt free to be so creative. Her style reflects a daringness that is always new and exciting while partner Carrie is more subtle and traditional It is sometimes surprising to see the same pattern used so well to fill such a variety of tastes. In addition to having samples of these designs available at the shows they do, they can also be seen on their website at https://fitforartpatterns.com/

In addition to her classes, you may recognize Rae’s name from the many fitting and design articles she has written for Sew News and Threads Magazines over the past 15 years. She says, “It has been such a pleasure to help women of all shapes, sizes, and ages to get a good fit and feel empowered to stitch up a wardrobe that fits their bodies and lifestyles.” In addition she is a favorite instructor at ASG chapters throughout the country and at our ASG annual conference.

Some of her other achievements include having been instrumental in establishing the Charitable Foundation of the Association of Sewing and Design Professional which makes grants to sewing related non-profits and students in need. She was also honored to win the most creative award in the Threads Magazine Little Black Dress Challenge.

On the future of sewing, Rae mentioned, “I am delighted to see women of all ages becoming interested in creating a handmade wardrobe and expressing themselves through the art of sewing. The internet makes it easy to spread the word and encourage these new and renewed stitchers, so I am pleased that communication is so free and easy. Our Eureka! Pants that Fit pattern and the Tabula Rasa Tee and Tunic pattern were developed in order to provide wardrobe making options so home sewers could get a great fit in all their clothing.”

She went on to say that she is also discouraged, “Folks on the internet with a platform sometimes promote mis-information and imperfect technique, which causes confusion and discouragement among new stitchers. I also regret the slow death of independent fabric stores that offer unique and lovely products for sewing enthusiasts. I do believe that folks who really have a passion for sewing will find good instructors and hands-on education like those found at the ASG Conference every year.”

~Rosemary Fajgier, ASG
Both Carrie and Rae are members of the Maryland Chapter of ASG and are now offering a special 10% discount to all ASG members on online orders of patterns, tips books, or kits with patterns. Go to the Members Only – Special Offers section of the ASG website to get the coupon code to be entered at checkout. Be sure to check out their website at https://fitforartpatterns.com and sign up for their weekly blog or one of their workshops, retreats, or their “Enchanting France, Embellishing Fabric” tour, a retreat in the French countryside that includes fiber related excursions and studio stitching.

The American Sewing Guild is truly fortunate to be able to count many gifted sewing designers and instructors among our friends, members, and supporters. Throughout this coming year, we will be featuring some of them in our Notions Blog. We hope you will enjoy reading about them and take the opportunity to get to know them better and explore their many talents by visiting their websites, taking their classes, and discovering the wide variety of designs they bring to the home sewing market.

November 13, 2019

How to make your own bias tape

Bias tape is most often used to finish the edges of garments, especially along curved edges like armholes and necklines. But it can also be used as a decorative element on garments (think pockets and hems for example) or on other projects, like handbags, quilts, table runners and Christmas stockings. You can purchase packaged bias tape, but it’s very easy to make your own with a Bias Tape Maker tool. This short video will show you how easy is it to DIY your own bias tape.

November 8, 2019

Button and Buttonhole Positioning

Button and buttonhole placements can sometimes be confusing. If the button and buttonhole are placed incorrectly, the garment may be too tight, too loose, or create gaping. The number of buttons on the garment is suggested on your pattern envelope, but it’s up to your personal preference or need. A good guide to start placing your buttons vertically is to keep in mind your body’s pressure points. Pressure points are where your body may put strain on the garment and may be your bust, belly, or even the hip if you are making a button front dress or skirt.

Button Placement

Once you have identified your pressure point(s), mark these on your muslin or sloper (block) pattern for future reference.

Decide how many buttons to use.
Lay your pattern or muslin flat, mark the center front and your pressure points.
Place your highest and lowest buttons on the muslin.
Measure the distance between your top and bottom buttons.
Divide this distance between the number of buttons you will use. If you use 5 buttons, divide by 4. You will always divide by one less button, because that is the number of actual spaces between your buttons.
Determine if the button placement falls on your pressure point(s). If not, you may want to adjust the position slightly to hit that sweet spot.

Buttonhole Position

Now that you have the button position, you need to determine if you want vertical or horizontal buttonholes. Horizontal buttonholes will need a facing deep enough to fit the entire length of the buttonhole. I have seen some patterns where the facing is too narrow for horizontal buttonholes. Vertical buttonholes allow for button play. This means if the button is not set exactly in the measured spot, there is room for the button to move up and down within the hole.

The distance between center front and the finished edge of your garment is generally 5/8”. This is okay if your button is 7/8” or smaller. If the button is larger, you will need to extend the distance from CF to the finished edge of your garment.

Buttonhole Size

To figure out what size buttonhole to use, some machines have a button hole foot that the button sits on the back carriage and the machine will make a buttonhole to that size. Or you have a machine that is computerized and you can adjust for your button size. The general rule of thumb is, the buttonhole needs to be 1/8” bigger than the button, for ease of going through the hole.

1/2” button uses a 5/8” buttonhole
5/8” button uses a 3/4” buttonhole
3/4” button uses a 7/8” buttonhole

Good Buttonhole Practices

When making a vertical buttonhole, the button and buttonhole will be placed exactly at center front. In the case of horizontal buttonholes, the button is set at center front, but the hole is started 1/8” away from center, toward the finished edge. If your garment needs a button at the top edge, I start at 5/8” down for the button placement, but you can decide how far down, depending on the width of your button. But never start a buttonhole higher than ¼” below the neck edge.

Always make a test buttonhole with the same thickness as your garment, Top fabric, bottom fabric and interfacing. Make sure your button will pass through the hole easily.
Buttons are set on the left front and buttonholes on the right front for women’s garments

Something that I do for jackets, especially for horizontal buttonholes, is to set all the buttonholes along the edge of your fabric BEFORE cutting out the front body. This allows for checking the placement without chancing ruining the garment and works best for bound button holes because the inside opening is usually hand finished.