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March 23, 2018

Make Your Own “Sampler” Pack of Sewing Favorites

Stabilizer tag sample kit Like most sewing enthusiasts, I have sewing and embroidery supplies that I use over and over because they work well for many different applications. This is especially true for interfacings and embroidery stabilizers. To keep track of my supplies, I normally take the label off the outside of the roll and insert it inside the tube so I know what the product is. I have actually ordered a couple of things on the recommendation of a sales person and found I didn’t care for them and I want to be sure I do not re-order them—that is just as important to know as what I do like.

Stabilizer tag sample kit This morning when I reached for the rolls of my favorite fibrous water soluble and poly-mesh stabilizers to grab the tags to re-order, I found that one roll was missing its label – horror of horrors! I searched the distributor’s website and still couldn’t find the product so now the search is on through packing slips and websites to try to identify the product. I even tried to locate a sample pack, hoping I may find my beloved stabilizer within it, but no luck.

That action though, gave me an idea. Right then and there, I vowed to prevent this sewing malfunction from happening to me again by making my own sample pack. I cut large pieces of each product and stapled the label to the corresponding sample. While I still have to find the one product with the missing label, luckily it is not something I need to re-order immediately.

I also plan on doing the same with my favorite interfacings. I’m working on two series right now that require a lot of interfacing and, because I use so much, I tend to purchase my favorites by the bolt. Of course, there are no labels to peel off packaging to save so I can do one of two things:

  1. Take a photo of the label, print it, and staple it to the sample I cut off the bolt, or
  2. Wait until I get to the end of the bolt, save a final piece, and then peel the label off the end of the bolt and staple it to the sample piece.

Stabilizer tag sample kit Knowing me, chances are by the time I get to the end of the bolt I’ll forget to save a piece and keep the label so I’ll probably opt for option 1. Another good thing to do is save a piece of the instructions that come on the interfacing bolt. Read and check them each time you purchase the product. Occasionally, as technology is updated, products may change slightly (think better glue) and instructions will be updated. If the interfacing is a specialty item like Hymo, then also attach information about where the product was purchased and any other identifying information

We always think we’ll remember what we did or where we purchased something, but we often don’t. Start making another type of reminder for sewing. Put information in a binder or even just clip things together like in this sample pack. Save yourself a lot of remembering and searching time which, of course, leaves more time for our favorite pastime—STITCHING!

Sew ‘til next time….enjoy the journey of sewing!

~Ramona

February 14, 2018

ASG Fabric Design Contest, part 2 Q&A

Wow!  Part 2 of the Fabric Design contest has generated so much excitement and interest that it has exceeded our expectations. We have received multiple questions, and I love the way we as sewers think… out of the box. So this update will serve as a reminder of the contest and address some of those questions again.

Entries have already started coming in. I know that there will be many others as the deadline approaches. To comply with the many requests we have received, the deadline for submissions has been extended to May 31, 2018. Yes, you now have an additional two months to work on your fabulous entries.

  • Can one member submit more than one item?
    Yes, as long as the items are different in terms of patterns. For example: one member can submit a handbag, a dress and a wall hanging. As a result, the chapter will be credited three entries.
  • Do I have to use the gray and white version of the design?
    No, you can use any of the color palettes offered and in any size on any fabric.
  • I can’t seem to find a place to enter the discount code, ASG20.
    To find the space to enter ASG20, first pick the fabric and put it in your cart. Scroll down, just below the listing of fabrics look on the left to enter the discount code
  • Can I use more of the coordinating fabric design than the winning design?
    Yes. The rule is that the winning design made with the dress form and the ASG logo (in any color palette and size) must be featured in the project.
  • Can I use the winning design solely as a lining in a project?
    No, using it this way does not feature the design. It must be visible from the exterior of the item.
  • How will you know how to credit my chapter for my entry?
    After your creation is completed, you will need to submit your name, your chapter name, and a photo of your creation making sure that the winning design is clearly displayed and send it to the ASG Fabric Design Contest no later than May 31, 2018.

Now with this information, I just know that your scissors will be clipping and your machines humming to make wonderful creations as contest entries.  We can’t wait to see what you create!

 

Joi Bostic

January 2, 2018

Learn to Sew: Intersecting Seams

When reading sewing pattern instructions, it will say to “intersect” or “cross” seams. This short video shows you how to intersect seams.

December 29, 2017

Sewing a Collar Band/Stand and Cuff

Sewing a collar stand/band and cuffLast week I told you I’d share my final blog of the year with another new sewing technique I’ll be sharing with members.

I have been frustrated all my sewing life with the way cuffs are done. The intersection between the placket and cuff are not smooth and even. This, and the collar stand, had been my sewing nemesis for many years. Sometimes patterns would come out with new techniques which would be better—like the “burrito” technique—but I still wasn’t happy with the results. Have you been happy with your results? Was the transition smooth with the way you’ve been doing them?

It took a lot of trial and error many years ago, long before I came on board with ASG, but I came up with a method of sewing these garment areas that finally made me happy. I’ve never put either into writing until now.

I’m working on finalizing the instruction and in the beginning of 2018 ASG members will get my full instructions. I’m hoping this will be a game-changer for beginning and advanced sewers alike. I think part of our problem with sewing is not getting really pretty results which scream homemade. Why, even ready-to-wear garments don’t have a smooth transition though better quality and custom ones are much, much better but they still don’t use the technique I developed.

Sewing a collar stand/band and cuff

I’ve not seen the way I do a collar band/stand and cuff written anywhere. I’m hoping by putting these in writing for our members it will be my little way of changing the sewing world and the way sewing is done in these areas giving sewers better outcomes in their construction.

If you would like these instructions, please join ASG and you can get them online in our educational videos.

Here’s to a happy journey of sewing in 2018!
~Ramona

Tagged With: collar band, collar stand, garment sewing

December 22, 2017

The Plight of (sewing) Intersections

Do you read pattern sewing instructions and wonder why someone hasn’t come up with a better system of sewing some areas of garments? I often do that. Specifically right now I’m talking about the intersection of the collar stand and cuff on a sleeve.

Example 1

Here the front of the shirt front is folded back twice and stitched down. The collar stand is attached, with the collar, and at the center front it is anything but pretty and as near perfect as we can get it. I see this in not only home sewn garments but also in ready-to-wear like this shirt. When fabrics are thin, it is easier to get a somewhat smooth transition from the front band into the collar stand, but on heavier fabrics like denim it is much harder because of the bulk of the fabric and all the layers that come together at that point.

Example 2

The same with a cuff with a placket. Again, with a lighter weight fabric like a shirting, the layers that come together aren’t as bulky as a heavier fabric, yet—there is still an anything but smooth transition.

In better ready-to-wear greater care is taken in these two areas making them smoother but still, it is not as perfect as I’d like.

After considerable thought and a lot of experimentation, I believe I’ve come up with what I think is a good way to transition these areas. Will it change the world of sewing? I’d like to think so! Honestly, all it takes is a little re-designing of the pattern and different steps in construction but truly it is no harder than matching seamlines at a center back waist.

I’m finishing up a garment now that will have these two new techniques in it. They will be in the video sew-along series and posted on the ASG website in the members only area. The video will show step by step how each is accomplished.

Watch for the last blog of the year next week and I’ll show you the final garment areas and you can judge for yourself.

Sew ‘til next time….enjoy the journey of sewing!

~Ramona

Tagged With: collar band, collar stand, garment sewing

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